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16 december.
SAUNA ENSEMBLE live at the ARRAYMUSIC studio. (Toronto/Canada)
Premier of Domenico Sciajno "SEQUENZA".
Sauna ensemble:
Mike Hansen: turntable
Guy Leblanc: non-input mixing board
Chris worden: laptop/non-input mixing board
Tomash Krakoviath: analog synth
Pau Torres: Laptop
Arnd Jurgensen: guitar
More info at: http://c3r.ca/sauna.html
FAGES - GROSS - GUTHRIE on tour
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Ferran Fages : acoustic turntable
Jean-philippe Gross : mixing board
Will Guthrie : percussion, electonics
** Dec 9 - Grand Guignol - Lyon - FRANCE
** Dec 10 - Le102 - Grenoble - FRANCE
** Dec 13 - Rialto, Via di S. Ambrogio 4, Rome - ITALY
** Dec 14 - RAUM - Bologna - ITALY
** Dec 15 - Club Gromka - Ljubljana - SLOVENIA
** Dec 19 - KULE - Berlin - GERMANY
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+++info:
www.antboymusic.com
www.dt-bs.com
www.cremaster.info/ www.linnomable.com
On December the 3rd, 9 PM, I will be doing some live visual stuff processing during the electrospoken session of Bruno Galindo during the kosmopolis literature festival in CCCB in Barcelona (home of the Sonar by day).
The visual work will be based on the work of the writers whose voice would be sampled. I know that Hunter S. Thompson's voice will be there.
Bruno Galindo and Miguel Gil Tertre aka Strand. Electrospoken: A project based on music and words that rescues and revindicates the spoken-word genre from the contemporary perspective of the language used by disc-jockeys.
Electrospoken involves a discourse based on more or less instrumental music electronic, hip-hop, rock, vanguard, pre-recorded organic sounds.) and "clean" words (recitals, readings, brief or hyper-brief narrations, speeches, fragments of interviews, etcetera) retrieved from numerous recordings. American beatnik sound notebooks, Brazilian avant-garde poets, acid philosophers, Rif visionaries and a long etcetera, build up a discourse that, played over a high-intensity, low tempo sound track, recovers words as an experience in contemporary music.
Presentacion del CD "La razón de la sinrazón" del comopositor Julio Sanz Vazquez el proximo Viernes 2 de Diciembre 19:00h en el Museo “Las Pedrizas” (Buenache de la Sierra-Cuenca).
“La razón de la sinrazón” es una reinterpretación intimista de “El Ingenioso Hidalgo Don Quijote de la Mancha” de Miguel de Cervantes Saavedra, realizada con el Gran Litófono (instrumento de percusión único en el mundo)...
electroacústica y narrador, donde el autor, en un proceso de simbiosis se transforma de Hidalgo Caballero a Músico Compositor, los molinos de viento en piedras encantadas, y los diálogos entre Don Quijote y Sancho en células rítmicas y melódicas emergentes del sonido de litófonos, cualitos, picolitófonos, árboles raciales, árboles de lluvia, cortinas líticas, placas suspendidas y troncos resonantes.
Este trabajo a sido elaborado por : Julio Sanz Vázquez (Composición, litófono, electroacústica y mezcla) Juan Carlos Álvarez Asenjo (Narrador), Fernando Buenache (Escultor naturalista), Jonathan Coates, (Ebanista), Juan Manuel Consuegra (Piano), Noldi Visser (Didgeridoo), Nieves Rodríguez (Canto), Rafael Mira (Composición fragmentos de piano).