Artist: Julio Sanz Vázquez
Title: La razón de la sinrazón
Number of tracks: 15
Release date: Coming soon
Format: Hand made wood cover/Black Cdr
Total runing time: 60´28"
Listen a sample of "Renacer lítico" (track ) .rm
Download the whole song .mp3

SUEÑOS ELECTROACÚSTICOS, by José Joaquín Blasco Muñoz. European Commission.Joint Research Centre MISSION OF THE JOINT RESEARCH CENTRE 25/02/2005 "The mission of the JRC is to provide customer-driven scientific and technical support for the conception, development, implementation and monitoring of EU policies. As a service of the European CUADERNOBLUES SUNDAY, FEBRUARY 27, 2005 My friend Julio Sanz has consecrated his life to the electroacústic dream. I remind him inside the padded bubble of the Gabinete de Música Electroacústica de Cuenca,, with their young professors visitors, always proving unheard sounds in their midi, sequencing noises caught in the most unsuspected places, clipping new silences. He´s a winning musician, of heterodox, imaginative and generous circuits with their endless collaborators. One day, for academic baseness, he had an encounter with that abominable mobbing. As Nicoletta Braschi in the movie of Francesca Comencini, Julio repeated again and again, against wind, rope and other percussions: "I like to work". what happens is that they didn't understand, obtuse of ministerial flowchart, their commitment with the music, their music of the resistance in the cacophonous world of the conservatories. To the static position of the classic disciplines he opposed their key of the eternal musical youth. And truly it surprises that coming from the virtuous violin and of the camera pieces it has evolved, uncomfortable, toward the digital instruments and the performances. There is not more than to follow their surrounded unusual concerts of dimmers, synthesizer wombs, recording tapes, resonances harmonizer, rain mills, litófonos of the sculptor's Buenache and other inventions that would sign the professor Franz from Copenhagen or the great Mastropiero-Masana, to realize that we are before a musician outside of staff, a tempting of new acoustic experiences, a senseless one dreamer of sound bands of the mind. The Stockhausen grandson from La Mancha goes for a walk this year his particular homage to Cervantes: another of his quixotisms before those that our hearing draws its best smile.